2025
International
Finish Line
4
- Alabama
- Arizona
- British Columbia
- California
- Colorado
- Connecticut
- Delaware
- Florida
- Georgia
- Idaho
- Illinois
- Indiana
- Iowa
- Kansas
- Kentucky
- Maine
- Manitoba
- Maryland
- Massachusetts
- Michigan
- Minnesota
- Missouri
- Nebraska
- New Brunswick
- New Hampshire
- New Jersey
- New Mexico
- New York
- NL
- North Carolina
- Nova Scotia
- Ohio
- Oklahoma
- Ontario
- Oregon
- Pennsylvania
- Prince Edward Island
- Quebec
- Rhode Island
- Saskatchewan
- South Carolina
- Tennessee
- Texas
- Vermont
- Virginia
- Washington
- Wisconsin
- Yukon
| PROJECT | TAG | ABOUT | COMPLETED | CITY | REGION | COUNTRY | LINK |
|---|---|---|---|---|---|---|---|
| jai | Electronic | I was aiming to make 4 tracks end up only doing 3, and I have fail to propose an unifiying theme, hopefully I can improve this next time. On this track I used digitals synths, and was trying to make a very joyful/silly track, ended up with something a bit more dark as it was hard to maintain these feeling without having things sound too weird. | Single | France | LINK | ||
| Marten Ingle | Experimental | This years offer is a 35 minute jam/collage dedicated to the most deeply feared and loved creature-myth of the Deep C- Godzilla! First appearing in 1954 in the film by Ishiro Honda, Godzilla quickly became the most significant mythical icon of post Hiroshima/Nagasaki atomic destruction in Japan and the emerging world wide Cold War. The mid 50's zeitgeist was all about “Atomic”, “the Bomb” and the new found destructive power that could effectively bring the world to it's end. Result of nuclear tests, Deep Sea earthquakes, a metaphor for the rise of Post War USA, and warning about imminent Climate destruction, Godzilla is the King of Gaijus. My son Neil created a graphic character in early childhood that became a leading figure in his creativfe world, “Godzilly”. Possible reference to his exposure to my passion for monsters and Godzilla in particular, I am exploring the different aspects that Godzilla has meant to me in my life. I have used as a starting point the profound and enigmatic score of Akira Ifukube, “Godzilla- (Main Theme)” composed for the film in 1954. The Deep C World of 2025 has seen some dramatic and troublesome changes and poses some crucial and important questions: Will Godzilla reawaken as deep ocean mining becomes another of human destructive tendencies in a rush to get the biggest stash of limited resources? Will NOAA survive? Where is the SS Gojira? Will Bruce Willis star in a bromance with Godzilla to destroy the Asteroid of Doom coming up in 2032? | Album | Paris | France | LINK | |
| matieto | Experimental | falling into music-induced trance states, improvising on guitar or machines or synth and things | Album | Montpellier | France | LINK | |
| Winston B | Electronic | It is an instrumental lofi electronic album based on the alarm sound of my microwave (which is in 9/8 btw). | Album | Lille | France | LINK |
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