
2025
International
Finish Line
4
Alabama
- Alabama
- Arizona
- British Columbia
- California
- Colorado
- Connecticut
- Delaware
- Florida
- Georgia
- Idaho
- Illinois
- Indiana
- Iowa
- Kansas
- Kentucky
- Maine
- Manitoba
- Maryland
- Massachusetts
- Michigan
- Minnesota
- Missouri
- Nebraska
- New Brunswick
- New Hampshire
- New Jersey
- New Mexico
- New York
- NL
- North Carolina
- Nova Scotia
- Ohio
- Oklahoma
- Ontario
- Oregon
- Pennsylvania
- Prince Edward Island
- Quebec
- Rhode Island
- Saskatchewan
- South Carolina
- Tennessee
- Texas
- Vermont
- Virginia
- Washington
- Wisconsin
- Yukon
PROJECT | TAG | ABOUT | COMPLETED | CITY | REGION | COUNTRY | LINK |
---|---|---|---|---|---|---|---|
Kevyspice | Electronic | Made a bunch of noise with VCV Rack, tape loops, drone boxes, effects pedals, and even real drums and my bass, then plucked a bunch of text from the Project Gutenberg file for The Book of the Damned by Charles Fort (a long-time patron saint for High Weirdness),and made some text-to-speech synth voices say the words. On much earlier RPM albums, I used to do this kind of this as filler alongside attempts at more straight-ahead guitar-based songs, but I mostly gave that up a few years ago, to my great comfort and joy. | EP | Huntsville | Alabama | USA | LINK |
Matt Nunnelly | Folk | I haven't done any recording in a couple years, haven't done any writing in even longer. I recorded it all at home with a small interface or an HX Stomp, and learned to use Reaper while doing it. It was fun to get back into the swing of things. | EP | Auburn | Alabama | USA | LINK |
Spice Rack Collective | Rock | As has become a February tradition around here, four bandmates in North Alabama collaborated with some friends and loved ones to write and record some songs we had kicking around in our worried brains. We missed several of our other friends who couldn't join us for various reasons. Those of us who could make it assembled at our band's rehearsal studio on Saturdays in February to record, with additional arrangement/recording/editing occurring between sessions. We almost squeezed out an LP, but are perfectly content to have been able to put together a pretty solid EP, given *gestures vaguely around at everything*! | EP | Huntsville | Alabama | USA | LINK |
Stuggs Attaway and Friends | Guitar | Music has a way of connecting threads we never expected, and this collection of songs does just that. "I Can't Believe It" brings together four distinct voices, each interpreting the same phrase in a completely unique way. From shimmering dance floors to dusty Appalachian coal towns, from grimy punk basements to quiet moments of acoustic reflection, these songs prove that music is as diverse as the hands that shape it. Hall of Mirrors - "I Can't Believe It (You're Electric)" Hall of Mirrors channels the neon glow and boundless energy of the '80s into every beat. Led by the ethereal Salomé Raphaëlle, their sound fuses pulsating synths with irresistible hooks. "I Can't Believe It (You're Electric)" is a testament to their ability to craft songs that feel like pure movement. Written by Raphaëlle and songwriter Stuggs Attaway, this track invites you to lose yourself in the music and let the rhythm take control. Bull Bunyan and the Pest Pressure - "I Can't Believe It (The Coalman, the Baron and the Hurrier)" This song is a left turn for Bull Bunyan and the Pest Pressure, best known for their raucous blend of bluegrass and punk. "The Coalman, the Baron and the Hurrier", written by lead singer Billy Mitchell and Stuggs Attaway, with evocative lyrics by SEAM, leans fully into Southern Gothic storytelling to paint a vivid and haunting tale of betrayal and revenge. No Bull Bunyan song is complete without facemelting runs on their distinctive banjo ukulele, and this song is no exception. Duck Shovel - "I Can't Believe It" Raw, urgent, and unapologetic, Duck Shovel takes a sledgehammer to societal complacency. Fronted by the ever-fierce Kaoleen, their music rages against the machine with anthemic power. Co-written by Kaoleen and Stuggs Attaway, "I Can't Believe It" is a blistering testament to frustration and disillusionment, delivered with the force of a basement show at full volume. Stuggs Attaway - "I Can't Believe It (But It's True)" Stripped down and deeply personal, Stuggs Attaway's contribution closes out the collection with warmth and sincerity. His songwriting, often reminiscent of dusty journals and late-night musings, shines here in an intimate love letter to his wife. "I Can't Believe It (But It's True)" is a quiet reflection on gratitude and devotion, a song where every note feels like a whisper meant for only one person—but one that anyone can feel in their bones. Four songs, four perspectives, one unifying phrase. "I Can't Believe It" isn't just a compilation; it's a journey through different worlds, tied together by the power of expression. Let these songs take you where they will. | EP | Dothan | Alabama | USA | LINK |
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